front cover of Beethoven for a Later Age
Beethoven for a Later Age
Living with the String Quartets
Edward Dusinberre
University of Chicago Press, 2016
Beethoven’s sixteen string quartets are some of the most extraordinary and challenging pieces of music ever written. Originally composed and performed between 1798 and 1826, they have inspired artists of all kinds—not only musicians—and have been subject to endless reinterpretation. But what is it like to personally take up the challenge of these compositions, not only as a musician, but as a member of a quartet, where each player has ideas about style and expression? To answer this question, Edward Dusinberre, first violinist of the renowned Takács Quartet, offers a rare peek inside the workings of his ensemble, while providing an insightful history of the compositions and their performance.

Founded in Hungary in 1975 and now based in Boulder, Colorado, the Takács is one of the world’s preeminent string quartets, and performances of Beethoven have been at the center of their work together for over forty years. Using the history of both the Takács Quartet and the Beethoven quartets as a foundation, Beethoven for a Later Age provides a backstage look at the daily life of a quartet, showing the necessary creative tension between individual and group and how four people can at the same time forge a lasting artistic connection and enjoy making music together over decades. The key, Dusinberre reveals, to a quartet crafting its own sound is in balancing continuity with change and experimentation—a theme that lies at the heart of Beethoven’s remarkable compositions. In an accessible style, suitable for novices and chamber music enthusiasts alike, Dusinberre illuminates the variety and contradictions of Beethoven's quartets, which were composed against the turbulent backdrop of the Napoleonic Wars and their aftermath, and he brings the technical aspects of the music to life.

Beethoven for a Later Age vividly shows that creative engagement with Beethoven’s radical and brilliant quartets continues to be as stimulating now as it was for its first performers and audiences. Musicians and music lovers will be intrigued by Dusinberre’s exploration of the close collaboration at the heart of any great performance.
 
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front cover of Distant Melodies
Distant Melodies
Music in Search of Home
Edward Dusinberre
University of Chicago Press, 2022
An engaging blend of memoir and music history, Distant Melodies explores the changing ideas of home, displacement, and return through the lives and chamber music of four composers.

How does music played and heard over many years inform one’s sense of home? Writing during the COVID-19 pandemic, when travel is forbidden and distance felt anew, Edward Dusinberre, first violinist of the world-renowned Takács Quartet, searches for answers in the music of composers whose relationships to home shaped the pursuit of their craft—Antonín Dvořák, Edward Elgar, Béla Bartók, and Benjamin Britten.
 
Dusinberre has lived abroad for three decades. At the age of 21, he left his native England to pursue music studies at the Juilliard School in New York. Three years later he moved to Boulder, Colorado. Drawn to the stories of Dvořák’s, Bartók’s, and Britten’s American sojourns as they tried to reconcile their new surroundings with nostalgia for their homelands, Dusinberre reflects on his own evolving relationship to England and the idea of home. As he visits and imagines some of the places crucial to these composers’ creative inspiration, Dusinberre also reflects on Elgar’s unusual Piano Quintet and the landscapes that inspired it.
 
Combining travel writing with revealing insights into the working lives of string quartet musicians, Distant Melodies is a moving and humorous meditation on the relationship between music and home.
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